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Archive for February, 2010

Q&A with Mondavi Center piano tuner Brad Larson

February 28th, 2010 Edward Ortiz Comments off

When pianist Leon Fleisher sits down at the 9-foot-long Steinway at the Mondavi Center, few realize that a tuner has slaved over the voicing and tuning of that instrument that same day. Brad Larson, who is nearing his 50th year in the business, keeps the Mondavi's three concert Steinways in tip-top shape. The Bee caught up with the 67-year-old piano tuner.

When did the passion for tuning begin?

At home. My first attempt at tuning was in my early teens when I purchased an autoharp and spent hours upon hours trying to tune the darned thing. From that I learned to hear the difference between pitches that were in tune or synch with each other.

Do you have perfect pitch?

Pitch consciousness comes in three forms. "Perfect" pitch is the gift of producing a note without having heard it first. I was born with the second: "absolute" pitch – which means I can usually identify most any pitch. Neither is directly related to skill in piano tuning.

How long have you been a tuner at Mondavi?

I began a formal relation with UC Davis Arts & Lectures in 1976 as a tuner for Sherman Clay, who rented concert Steinways to them.

Are you at Mondavi during concerts?

As much as possible. I tune and prepare a concert instrument the same day it's being played. I like to spend some time with the pianist whenever possible. Often, I'll be on hand during the performance. Once in a great while something needs tending to during the intermission.

What pianos are you most fond of?

That's like asking me which of my children and grandchildren are dearest to me. If I was forced to limit my fondness to a particular producer, it would be Steinway. I just plain love the tone and singing dynamic range.

Most unusual piano tuning job you've ever done?

It wasn't the tuning itself. Early on in my career I tuned for a piano duo, Ferrante & Teicher, who showed up late Sunday afternoon, disappointed that there was nowhere to get their pants pressed. I did it (pressed the pants) at home.

Categories: Music News

Marie Osmond’s son dies in Los Angeles

February 28th, 2010 SacBee -- Wire Entertainment - Music News Comments off

FILE - Entertainer Marie Osmond speaks at a North Little Rock, Ark., Sam's Club store in this April 27, 2005 file photo. Osmond's 18-year-old son Michael Blosil has died, the entertainer said Saturday Feb. 27, 2010. Osmond said in a statement through her publicist that her family is devastated by the "tragic loss." She did not provide details on the death.

Marie Osmond's 18-year-old son Michael Blosil has died, the entertainer said Saturday.

Osmond said in a statement through her publicist that her family is devastated by the "tragic loss." She did not provide details on the death.

Entertainment Tonight reported on its Web site that Blosil jumped to his death Friday night from a downtown Los Angeles apartment building.

Officers responded to an apparent suicide jump in the area, but the victim was not identified Saturday, Los Angeles Police Officer Gregory Baek said.

"My family and I are devastated and in deep shock by the tragic loss of our dear Michael and ask that everyone respect our privacy during this difficult time," Osmond said in the statement.

Blosil reportedly left a note which referred to a lifelong battle with depression.

In 2007, Osmond said Michael was treated at a rehabilitation facility, but she didn't disclose the nature of his problem.

Donny Osmond, Blosil's uncle, told Entertainment Tonight: "Please pray for my sister and her family."

Michael is one of Osmond's five adopted children. She also has three other children from two marriages. She divorced Brian Blosil in 2007 after two decades of marriage. She and her first husband Stephen Craig divorced in 1985.

Osmond earned fame at age 13 with the hit song "Paper Roses," and starred with her brother, Donny, on television's "Donny and Marie Show" during the 1970s.

They perform a musical variety show regularly at the Flamingo Las Vegas Hotel and Casino. The hotel said Saturday's performance was canceled.

Categories: Music News

New Millennium Series at Sacramento State: Such a deal on deluxe classical music

February 28th, 2010 Edward Ortiz Comments off

The Imani Winds play March 9. They are Valerie Coleman, left, Mariam Adam, Monica Ellis, Torin Spellman-Diaz and Jeff Scott.

Working on a shoestring budget, California State University, Sacramento, attracts some of the biggest names in classical music to its New Millennium concert series.

Highlights of the four-concert 2010 series include a performance by pianist Richard Goode, one of the best interpreters of Beethoven's piano repertoire, and a concert by viola de gamba master Jordi Savall.

Snagging Goode is a fitting tribute to celebrate the series' 10th anniversary. Over the years it has featured performances by the Beaux Arts Trio and the Tokyo and Guarneri string quartets.

The series begins at 7:30 tonight with the Sun Quartet concert in the Music Recital Hall. This quartet is based at CSUS and includes musicians who have solid reputations as accomplished chamber players on both coasts.

The quartet's lineup includes violist Anna Kruger, cellist Andy Luchansky, plus violinists Anna Presler and Ian Swensen.

Locally, the Sun Quartet mostly flies under the radar – it is better known in the Bay Area (where some of the musicians live) and on the East Coast.

"We're trying to fight that notion," said Luchansky.

CSUS recruited Luchansky in 1993 to shake the string department out of its moribund state. Soon after his arrival, Luchansky formed the Sun Quartet as a quartet in residence, and then established the New Millennium series. Before coming to CSUS, Luchansky was principal cellist with Florida's Tallahassee Symphony and performed widely in the United States and Europe.

Luchansky said he feels the quartet raises the musical ante of chamber music locally.

"There aren't many universities with quartets in residence, and they're becoming fewer and fewer," he said.

The quartet will perform Brahms' G major sextet, opus 36, with violist Emily Onderdonk, plus his Clarinet Quintet, with clarinetist Deborah Pittman.

The second concert on the New Millennium schedule brings the Imani Winds on March 9. This Grammy-winning woodwind quintet is known for commissioning and performing new works alongside established ones. The six musicians, inspired by the New York-based Dorian Wind Quintet, have been a dynamic force on the chamber scene for 13 years. They are not afraid of performing music from South America, Central America, or the Middle East. At CSUS, the quintet will perform standard wind quintet works as well as those with a heavy jazz influence, Luchansky said.

"They've done collaborations with the likes of Wayne Shorter, and they're young," he said. "They're a diverse group that's a perfect complement to Goode and Savall."

Viola de gamba player and baroque specialist Savall makes his Sacramento debut March 17. Savall, who hails from Barcelona, Spain, has made it a mission to champion early music as well as performing the baroque repertoire from the Iberian Peninsula.

It can easily be argued that Savall is the pre-eminent viola de gamba player today. The viola de gamba is an instrument of ancient origin that looks like a cello, but is musically closer to the lute. Savall will perform works by Bach and other baroque composers.

"It took a of lot work to get him, as he's in huge demand," said Luchansky. "It took us more than 40 e-mails with him and his management to get him. And this will be his only solo recital on his U.S. tour."

Pianist Goode last performed in the Sacramento area in 1999, at the Mondavi Center in Davis. Now 67, Goode will perform at CSUS on March 23.

Since his last performance, Goode has solidified his stature as one in a handful of pre-eminent interpreters of Beethoven's piano repertoire. And his concert recordings on the Nonesuch label prove he is no slouch at the repertoire of Bach, Mozart and Brahms. For his appearance, Goode is expected to perform a late Brahms piano work as well as Schubert's Sonata in B flat major.

Being able to book Goode for the series is a testament to the stellar reputation the series has on the concert circuit and with artists' managers, said Luchansky.

"I was called by Richard Goode's people. They told me he was going to be out here and would we love to present him at CSUS," he said. "They made it affordable for us."

Affordability is no small matter to a concert series that Luchansky runs on a tiny budget of $40,000.

"We try to make magic happen with that," he said.

Some feel Luchansky is able to pull it off because of his stature in chamber music circles.

"Andy is doing a fantastic job with that limited budget," said Marilyn Isenberg, longtime board member of the concert series.

"It's amazing that one person is making such a difference. His education, training and East Coast connections make this work," she said.

"Andy is highly regarded with musicians with international reputations, and he has the perspective on what's possible with such a festival. And given his high standards, the series works."

For Luchansky the festival works as an effective teaching tool, too.

"Some of the most moving experiences I've had here as a professor have come when seeing a student come up to me after seeing someone like the Tokyo String quartet," Luchansky said.

"And these students – they're just ecstatic. And they're the ones that are going to go into practice rooms that same night or next morning with renewed energy and passion."


Pianist Richard Goode is schedueld to perform March 23.

Jordi Savall, the Spanish viola de gamba player and baroque master, is to make his Sacramento debut on March 17.
Categories: Music News

Hot Ticket

February 28th, 2010 SacBee -- Music Comments off

ON SALE

AUG. 27

• Dave Matthews Band

What: Tickets are on sale now for the Dave Matthews Band concert.

When: 7 p.m. Aug. 27

Where: Sleep Train Amphi- theatre, Marysville

Cost: $35-$70

Information: (800) 745-3000 or www.ticketmaster.com

DON'T MISS

TUESDAY

• Bon Jovi

What: The Jersey boys bring their Circle Tour to town to rock Arco Arena.

When: 7:30 p.m. Tuesday

Where: Arco Arena, 1 Sports Parkway, Sacramento

Cost: $20-$1,725

Information: (800) 745-3000 or www.ticketmaster.com

LAST CHANCE

THROUGH NEXT SUNDAY

• "Out of Sight … Out of Murder"

What: An eerie Vermont mansion, a lightning storm, a femme fatale, a trusty butler, a feisty woman and a perky ingenue. What could possibly go wrong? Find out what unfolds in American River College's murder-mystery comedy.

When: 2 p.m. today, 6:30 p.m. Thursday, 8 p.m. Friday and Saturday, 2 p.m. next Sunday

Where: American River College Theatre, 4700 College Oak Drive, Sacramento

Cost: $12 general; $10 seniors, students and SARTA members; $1 weeknight parking, free weekend parking in Lot D.

Information: (916) 484-8234

Categories: Music News

Mercy docs rock as the Remedies

February 28th, 2010 Sam McManis Comments off

Remedies frontman Thomas McIlraith – Dr. Thomas Baird McIlraith by day – belts out a tune during a recent band rehearsal.

By day, Dr. Thomas Baird McIlraith is cleverly disguised as a capable, no-nonsense physician.

He has the obligatory white coat, the studious rectangular glasses, the neatly trimmed goatee with just a touch of gray to suggest hard-won wisdom, even the stethoscope casually draped over one shoulder.

Little would his patients know that McIlraith, chair of hospital medicine for Mercy Medical Group in Sacramento, occasionally likes to ditch the buttoned-down persona, don a black T-shirt and jeans, strap on an electric guitar and, you know, rawk.

McIlraith, 43, is the lead singer and driving force behind the Remedies, a good-time R&B bar band that will appear Thursday night at Harlow's in midtown Sacramento. They play original compositions and covers, tackling everything from the Foo Fighters to Wilson Pickett.

Stalking behind McIlraith at gigs for the past year has been Dr. David Pai, a Mercy-affiliated nephrologist, who lays down some wicked bass lines in between calling in dialysis orders and checking people's CK (creatine kinase) levels. The two nonmedical band members, guitarist and vocalist Walt Simmons and drummer Greg Marquis, work for the state Department of Conservation.

"So we've got two docs and two DOCs," McIlraith says. "I really like this band. No one has any pretenses about giving up our day jobs. But we work really hard on the music. We get together as friends and have a great time."

Doctors have private lives and all kinds of outside interests, just like the rest of us. But it seems as if physicians in the Sacramento area have a particular affinity for rocking out.

Four Sutter doctors and a Kaiser nurse form the Spiders, a cover band that has played at a Sacramento River Cats baseball game, among other gigs. The Folsom group Have Mercy, composed mostly of medical professionals, has been together since the mid-1990s.

What's behind this melding of medicine and music?

Simple stress relief, says Pai, 36. He started playing bass in alt-rock garage bands while in medical training in Boston. Nothing like thrashing a little Pearl Jam to slough off the day's worries.

"It's not medicine," Pai says. "When you hang out after work, you usually hang out with people you work with, especially in residency, and all you talk about is work – this patient or that patient. It's kind of nice to be in a different environment.

"I don't necessarily think there's a direct connection between music and (medicine). I know a lot of great physicians who aren't musically inclined."

But McIlraith, whose string of bands over the years has included medically themed names such as the Arrhythmias and Doctor Mac and the Attendings, says the two activities complement each other intellectually.

"I personally found that when I was most overcommitted musically in med school, I got my best grades," he says. "I was always worried with the band because I thought I'd fail, but it was the opposite."

Music has long been a part of McIlraith's life. As a teen, he played the piano and trombone, and dabbled in classical music but found it "too regimented." Instead, he enrolled in the regimentation of medical school at the University of Wisconsin.

"I bought a guitar then and just started messing around with it," McIlraith says. "Whenever I was studying, I'd leave my guitar sitting out. I definitely made very slow progress early on, but then again, I wasn't very ambitious."

He was ambitious enough to help form the Arrhythmias with two other Wisconsin medical students. The group became so popular among med students that it once swelled to 15 members.

"It became a perpetual thing," McIlraith says. "Once we graduated, we handed it off to the next group. I don't know if it's still together."

According to a University of Wisconsin School of Medicine and Public Health news release, the Arrhythmias are still rocking. As is McIlraith. The Remedies, he said, weren't named as a nod to his medical background. (Pai didn't join the group, which had loosely formed in 2007, until late 2008.)

"It came about in the Davis open-mike scene, very loosey-goosey," says McIlraith, a Davis resident. "The idea of the Remedies as a name was more music serving as therapy. But if we'd been called the Laxatives, I don't think we would've had the draw the Remedies do."

A Remedies show would be a good place to fall ill, if you must – the crowd usually is saturated with Mercy medical staff members supporting their colleagues. It's a built-in audience, which is good because McIlraith and Pai have no illusions of rock stardom.

Asked if they'd rather be the surgeon general of the United States or a rock star filling arenas, the doctors agreed.

"I don't know that I'd want to be either," McIlraith says. "I actually like my life the way it is now."

Pai: "Honestly, being a physician is the best job in the world. It's really a privilege to do what we do. … In terms of being a rock star? I don't know. I'd like to see some stability in my life."


The Remedies are Walt Simmons, left,McIlraith, Dr. David Pai and Greg Marquis. They play Harlow's on Thursday.

McIlraith and Pai at at Methodist Hospital, Sacramento.
Categories: Music News